Howard Jacobson calls himself a "Jewish Jane
Austen," as opposed to his critics' description as the "English
Phillip Roth." Suffice to say, he's a funny guy. He's also the winner
of the 2010 Man Booker Prize with his comic novel, The Finkler
Question.
His unexpected win would seem to put paid to the idea that comedy has
disappeared from the novel. At a Sydney Writers Festival session
called The Return of the Wry, Jacobson tells media lecturer Fiona
Giles why, more than ever, there's a big need for funny.
In it, he points out that, in the time of Ancient Greece, was the
direct opposite of tragedy in that it was focused on the basics of life,
such as sex and bodily functions. These days, he says, there should be
nowhere that comedy doesn't dare to go, including the hardest and
darkest things of life.
Jacobson confesses why he's suspicious of Shakespeare's Shylock,
unanimity, ideologues and atheists ... but also why he quite likes
Joyce's Jewish hero in Ulysses, and the aristocratic baby and talking
dog of the TV show "Family Guy."
Bio
Fiona Giles
Fiona Giles is a senior lecturer in media and communications at the University of Sydney. Her publications include journalism, edited collections and academic work on gender and the body, particularly female sexuality. Her book, Fresh Milk: The Secret Life of Breasts, was published in 2003.
Howard Jacobson
Howard Jacobson is a British author and journalist. He is best known for writing comic novels that often revolve around the dilemmas of British Jewish characters. His 1999 novel The Mighty Walzer, about a teenage table tennis champion, won the Bollinger Everyman Wodehouse Prize for comic writing. In October 2010 Jacobson won the Man Booker Prize for his novel The Finkler Question.
Genre of dramatic literature that deals with the light and amusing or with the serious and profound in a light, familiar, or satirical manner. Comedy can be traced to revels associated with worship in Greece in the 5th century BC. Aristophanes, Menander, Terence, and Plautus produced comedies in classical literature. It reappeared in the late Middle Ages, when the term was used to mean simply a story with a happy ending (e.g., Dante's Divine Comedy), the same meaning it has in novels of the last three centuries (e.g., the fiction of Jane Austen). Comparetragedy.
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