The contemporary artist John Baldessari in conversation with Bay Area writer and curator Constance Lewallen.
John Baldessari, born 1931 in National City, California, has been teaching art and making art since the 1950s after receiving his BA and MA from San Diego State College (now San Diego State University). He taught at California Institute of the Arts from its founding in 1970 to 1988, and has taught at the University of California, Los Angeles, since 1996. He lives in Los Angeles and is often credited with helping to make that city an internationally recognized center of contemporary art.
In 1997 Baldessari received the California Governor's Award for Lifetime Achievement in the Visual Arts, followed in 2005 by the Lifetime Achievement Award from Americans for the Arts. As part of the 53rd International Venice Biennale 2009 in June, Baldessari was awarded the Golden Lion for Lifetime Achievement.
Bio
John Baldessari
John Baldessari, born 1931 in National City, California, has been teaching art and making art since the 1950s after receiving his BA and MA from San Diego State College (now San Diego State University). He taught at California Institute of the Arts from its founding in 1970 to 1988, and has taught at the University of California, Los Angeles, since 1996. He lives in Los Angeles and is often credited with helping to make that city an internationally recognized center of contemporary art.
In 1997 Baldessari received the California Governor's Award for Lifetime Achievement in the Visual Arts, followed in 2005 by the Lifetime Achievement Award from Americans for the Arts. As part of the 53rd International Venice Biennale 2009 in June, Baldessari will be awarded the Golden Lion for Lifetime Achievement.
John Buchanan
John Buchanan is the director of the Fine Arts Museums of San Francisco.
Constance Lewallen
Constance Lewallen is adjunct curator at the Berkeley Art Museum.
Artist John Baldessari discusses the piece "The Fallen Easel" with Constance Lewallen, paying particular attention to the unusual framing of the work. He explains that he always disliked framing his artwork, so he escaped conformity by incorporating the necessary frames into his art.
I saw a show of his at the Tate . It made much more of an impression on me than the POP show I had originally gone to see . A fine and focused mind ,fit to inspire and inform any .