T. C. Boyle, the National Book Award finalist and winner of the PEN/Faulkner Award, discusses his new novel about Frank Lloyd Wright, The Women.
Bio
T. Coraghessan Boyle
T. Coraghessan Boyle is the author of twenty books of fiction, including, most recently, After the Plague (2001), Drop City (2003), The Inner Circle (2004), Tooth and Claw (2005), The Human Fly (2005), Talk Talk (2006), and The Women (2009). He received a Ph.D. degree in Nineteenth Century British Literature from the University of Iowa in 1977, his M.F.A. from the University of Iowa Writers' Workshop in 1974, and his B.A. in English and History from SUNY Potsdam in 1968. He has been a member of the English Department at the University of Southern California since 1978. His work has been translated into more than two dozen foreign languages, including German, French, Italian, Dutch, Portuguese, Spanish, Russian, Hebrew, Korean, Japanese, Danish, Swedish, Lithuanian, Latvian, Polish, Hungarian, Bulgarian, Finnish and Farsi. His stories have appeared in most of the major American magazines, including The New Yorker, Harper's, Esquire, The Atlantic Monthly, Playboy, The Paris Review, GQ, Antaeus, Granta and McSweeney's, and he has been the recipient of a number of literary awards. He currently lives near Santa Barbara with his wife and three children.
(born June 8, 1867, Richland Center, Wis., U.S.—died April 9, 1959, Phoenix, Ariz.) U.S. architect. After studying engineering briefly at the University of Wisconsin, he worked for the firm of Dankmar Adler (1844–1900) and Louis Sullivan in Chicago before opening his own practice there in 1893. Wright became the chief practitioner of the Prairie school, building about 50 Prairie houses from 1900 to 1910. Early nonresidential buildings include the forward-looking Larkin Building in Buffalo, N.Y. (1904; destroyed 1950), and Unity Temple in Oak Park, Ill. (1906). In 1911 he began work on his own house, Taliesin, near Spring Green, Wis. The lavish Imperial Hotel in Tokyo (1915–22, dismantled 1967) was significant for its revolutionary floating cantilever construction, which made it one of the only large buildings to withstand the earthquake of 1923. In the 1930s he designed his low-cost Usonian houses, but his most admired house, Fallingwater, in Bear Run, Pa. (1936), is an extravagant country retreat cantilevered over a waterfall. His Johnson Wax Building (1936–39), an example of humane workplace design, touched off an avalanche of major commissions. Of particular note is the Guggenheim Museum (1956–59), which has no separate floor levels but instead uses a spiral ramp, realizing Wright's ideal of a continuous space. Throughout his career he retained the use of ornamental detail, earthy colours, and rich textural effects. His sensitive use of materials helped to control and perfect his dynamic expression of space, which opened a new era in American architecture. Often considered the greatest U.S. architect of all time, his greatest legacy is “organic architecture,” or the idea that buildings harmonize both with their inhabitants and with their environment.
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