The Reverend Belva Brown Jordan discusses Picking Up the Tempo: A Historical Look at Hymns in the Black Worship Experience.
Music hath charms to soothe the beast - or unleash it. Music is integral to identity in culture and society, from our most primitive expressions to the iPod. We will explore cross-cultural music trends and examine how music affects learning and creativity, contributes to economy, and connects performer and audience- Chautauqua Institution
Bio
Rev. Belva Brown Jordan
Rev. Belva Brown Jordan is the newly appointed Dean for Admissions and Student Services at Phillips Theological Seminary in Tulsa, Oklahoma. Ordained with the Christian Church (Disciples of Christ) in 1986, Reverend Jordan has served as Dean for Student Life at Harvard University Divinity School, Cambridge, Massachusetts, since July, 2000, after eight years on the faculty of Lancaster Theological Seminary, Lancaster, Pennsylvania. While at Lancaster Seminary she served as Associate Professor of Field Education and Director of Ministry Consultations for the Alliance for the Renewal of Ministry, focusing on the interpretation of theological education, practice of ministry, spirituality, and theo-musicology. She also served as Acting Dean of the Seminary for one year.
A native of Dallas, Texas, Rev. Jordan earned a B.S. and Master of Divinity degree at Brite Divinity School, Texas Christian University (TCU) in Fort Worth, Texas, where she recently received Brite’s Distinguished Minister Award for her ministry in theological education.
Rev. Brown's responses never mentioned that often times enslaved Africans used Christian music as an excuse to justify meeting together. Often slave holders would allow enslaved people to meet to worship or sing hymns because holders saw this behavior as a sign of Africans accepting and submitting to Christian thought and owners' authority. The historical accounts reveal that Africans planned revolts, rebellions, and escapes during these meetings when Christian hymns were sung. It became a good diversion. Not until later did owners understand what was really happening that they started prohibiting ALL gatherings.
This version or arrangement of "Amazing Grace" they sang in the beginning I think illustrates the difference between black and white music and worship experience. I've heard this version several times in white churches and I'm always caught off guard, because the version I grew up with in black churches is so different. The best way I can explain difference in these versions is that the "white version" doesn't have the same depth of soul. I'm always amazed by the different versions of universal hymns. They often reflect the music and culture of people's tradition. That's part of the beauty of music, especial spiritual music----I like that!